Dantes Inferno English Pdf
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Dante's Inferno Dante's Inferno The Divine Comedy of Dante Alighieri Translated by Henry Wadsworth Longfellow Volume 1 This is all of Longfellow's Dante translation of Inferno minus the illustrations. It includes the arguments prefixed to the Cantos by the Rev. Henry Frances Carey, M.A., in his well-known version, and also his chronological. Free download or read online Inferno pdf (ePUB) book. The first edition of this novel was published in 1320, and was written by Dante Alighieri. The book was published in multiple languages including English language, consists of 490 pages and is available in Paperback format. The main characters of this classics, poetry story are Virgilio, Odysseus.
The Divine Comedy by Dante Alighieri is a poem written between 1308 and 1321. The book can be downloaded here as free Public Domain PDF ebook.
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Preview — Dantes Inferno in Modern English by Dante Alighieri
- Incipit Comoedia Dantis Alagherii, Florentini natione, non moribus. The Divine Comedy translated by Henry Wadsworth Longfellow (e-text courtesy ILT's Digital Dante Project) INFERNO Inferno: Canto I Midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost. How hard a thing it.
- Bit earlier than promised, I've finished the Paradiso, so I bring you complete Dante Alighieri's Divine Comedy in PDF for free download, as 3 separate eBooks - Inferno, Purgatorio, and Paradiso. If you've already downloaded the first 2 parts, feel free to re-download them, as the final versions are extended, with few mistakes corrected, plus.
- Free download or read online Inferno pdf (ePUB) book. The first edition of this novel was published in 1320, and was written by Dante Alighieri. The book was published in multiple languages including English language, consists of 490 pages and is available in Paperback format.
(La Divina Commedia #1)
The real challenge is the historical and theological background of Inferno, which is complex. Dante was a high-ranking career politician in Florence, and was subsequently exiled from there, stripped of his property and forced to flee for his life. He was an intensely political man, extremely well educated, and he was nursing grudges that show up in the poem. He makes a lot of references to political events that most modern readers won't understand. And also, he spends a lot of time talking about medieval Roman Catholic theology, applying it to the story at hand. Again, modern readers tend to have trouble.
The best way to ensure a good experience with this poem is for you to choose a translation that is intended to be readable, with good notes on the text. I cut my teeth on the poem with the translation by Mark Musa, which you can find in The Portable Dante. It has fairly good explanatory notes.
A more recent, and possibly better choice, especially if you like parallel text translations, is the Inferno translation by Durling and Martinez, which has excellent notes. It's easily my favorite of those that are commonly available, and I have had glowing reviews of it from friends who wanted an accessible introduction to the poem.(less)
Being that I am an atheist living in the 'Bible Belt,' I was certain that reading this would lead to some sort of goodreads tirade, which can at times feel about as good as vomiting up a sour stomach or..you know..doing other stuff
The Divine Comedy is a long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death, in 1321. It is widely considered the preeminent work in Italian literature, and is seen as one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Chur..more
Dante’s Inferno - the first book I was assigned to read in my high school World Literature class. Back then I couldn’t get over how much the emotion of fear set the tone as I read each page. I recently revisited this classic. Rather than a more conventional review – after all, there really is nothing I can add as a way of critical commentary –- as a tribute to the great poet, I would like to share the below microfiction I wrote a number of years ago:
JOYRIDE
One balmy July evening at a seaside a..more
I read both the John Ciardi translation in verse (rhyming for the first and third lines in each stanza trying to keep to Dante's 11-syllable structure) and John M Sin..more
I actually have two separate defenses. First, let's conside..more
An excellent translation--even better than John Ciardi. Like Ciardi, Pinsky is a real poet and makes Dante the poet come alive. His verse has muscularity and force, and his decision to use half-rhyme is an excellent one, since it allows us to attend to the narrative undistracted.
“But the stars that marked our starting fall away.
We must go deeper into greater pain,
for it is not permitted that we stay.”
🌟 Basically this book is about Dante’s journey in hell, so it must be one hell of a book, right?
🌟 I am not actually the biggest fan of modern poetry. I have tried books as The princess saves herself in this one and Milk and simply did not like them because they felt like a Facebook or a Tumblr p..more
i. LIMBO - A place of monotony, here the souls are punished to wander in restless existence while they moan helplessly in echoes between the ruins of a temple
ii. LUST - Surrounded by erotic representations, those overcome by lust are forced to watch and experience disgusting thin..more
in place of a review of this whole book, i'm just going to write about this single line in Inferno that i full on cannot stop thinking about. warning: this is completely nasty. blame Dante. also: all credit goes out to my literary foundations professor. i'm essentially regurgitating his argument.
in Canto XXXIII, the pilgrim encounters Count Ugolino. Ugolino, a former governor of Pisa, is feasting on the neck of Archbishop Ruggieri. in life, Ruggieri betrayed him, leading t..more
Sortes Vergilianae: 'The Inferno of Dante' by Dante Alighieri, Robert Pinsky (trans.)
What I love about Dante is how he doesn't invoke the Muses, unlike Homer, or Virgil, and that he goes straight to the heart of the matter, and straight in to the poem, i.e. 'In the midway of this our mortal life, I found me in a gloomy wood, astray, gone from the path direct'. In the middle of his life Dante is lost in a dark wood, the man he most admi..more
4 out of 5 stars to Inferno, the first of three books in the 'Divine Comedy' series, written around 1320 by Dante Alighieri. A few pieces of background information for those who many not know, before I get into a mini-review. Inferno, which means 'Hell' was one of three books Dante wrote in the 14th century, essentially about the three spaces people occupy after death: Hell (Inferno), Purgatory and Heaven (Paradiso). I've only read Inferno, so I'm not able to discuss much on the o..more
This is such an interesting book, though definitely very hard to get through. I think if I was able to read it in Italian it would be a little easier as it would actually be read like Dante intended, but it's still really cool to see all the concepts! This is such an influential piece of literature and is referenced SO MUCH in culture that it is really cool to have a basis for it. I think I may reread this in a different rhyming translation next time to see what th..more
(I didn't read the main text of this one, but I think I will read the English half at some point.)
This one has chronology, introduction, map of Italy, plan of Hell plus commentaries and notes at the end. The main text itself is shown with Italian text on the left side, English on the right side. Commentaries include many comments on the linguistic details that I don't remember the paperback Penguin version having. There is al..more
It took me a while to decide on the translation to use. After a few days of research and asking around, I shortlisted Musa and Hollander. Went with Hollander since it seemed better organized. Turned out to be a good choice.
The translation is fluid and easy on the ear. The Italian version is also available when you want to just read the Italian purely for the sound of verse. I am no judge of the fidelity of the various translations, but this was an easy read and that was good. Th..more
(All citations from the Inferno are from the Longfellow translation.)
To You
Paw in paw we come
Pooh and the Bouncer
To lay this review in your lap.
Give us one of those sultry little smiles
and say you're surprised!
Say you can't get over it!
Say it's just what you've always wanted
and it's even more fun than a day at the spa
(because, let's face it,
I couldn'..more
Beautifully written and emotionally draining. However, this isn't simply a tale of terror. It is a philosophical and, I suppose, historical work as well. (I learned interesting historical facts). Who among us are sinners? Who are the righteous ones? Are people and deeds simply right or wrong, go..more
'Through me the way to the city of woe,Thanks for the historical references and throbbing headache, Dante! My head is now a big mess.
Through me the way to everlasting pain,
Through me the way among the lost.
Justice moved my maker on high.
Divine power made me,
Wisdom supreme, and primal love.
Before me nothing was but things eternal,
And eternal, I endure.
Abandon all hope, you who enter here.'
- Inferno III, 1-9
On a serious note, what an arduous journey through hell! Dante illustrates Inferno..more
Dante's Inferno English Pdf Gratis
· review of another editionInferno is Dante's experience in walking through Hell. His guide is no other than Virgil, the famous poet who wrote Aeneid, sent by Beatrice, Dante's devoted love interest, who he says is in Paradise.
Dante's version of Hell is infl..more
The Inferno tells the journey of Dante through Hell, accompanied by the ancient Roman poet, Virgil.
Dante’s Inferno presents one of those incredibly frustrating scenarios where the plot, imagery, themes etc are all fucking insane, but the prose made me want to claw my eyeballs out. I looked at how long the actual poem was and thought “that’ll take me about 2 days?” WRONG. Over a week. This may have been due to the fact that I was also reading the accompanying n..more
I always felt The Inferno contained the best..more
I wish I could honestly check off 5 stars and say that my eyes were opened. That I really felt transformed by having read this classic of literature and that I will make it point to re-read it every year on the anniversary of my having discovered the error of my ways in not reading it at age 5.
But I can'..more
1. To finally figure out the difference between the Guelphs and the Ghibellines. Dante was a Guelph.
2. To discover why Constantine made his famous donation.
3. To learn some new and ingenious ways to torture your enemies. Dante is very imaginative in this regard.
4. To find out what happened to Potiphar's wife, Mohammed, Ulysses, Atilla the Hun, Cleopatra, and Helen of Troy. We meet them all in The Inferno.
I recommend Dorothy Sayers' translation because of the exce..more
Homage is due for this epic sc..more
The Publisher Says: This widely praised version of Dante's masterpiece, which won the Los Angeles Times Book Prize and the Harold Morton Landon Translation Award of the Academy of American Poets, is more idiomatic and approachable than its many predecessors. Former U.S. Poet Laureate Pinsky employs slant rhyme and near rhyme to preserve Dante's terza rima form without distorting the flow of English idiom. The result is a clear and vigorous translation that is also unique, stude..more
I finally read this classic! (It's about time) Which means I'll finally understand all the references in books and movies that derive from this novel. I mean, it always bothered me that I hadn't read this, so I'm glad to be able to say: Yes, I've read Inferno.
It's not a perfect 4 stars because there were some parts I genuinely didn't understand. Also, the unique but rather choppy writing style wasn't my favorite. Honestly, if my edition didn't have pictures, I'm sure I would've been much mor..more
True, Dante still has a medieval mind--barratry? simony?--and writes his own back-cover puff when Homer, Ovid, Horace and the boys all toast him as the sixth of the THEIR crowd. He only apologizes when he includes his own name in an epic, a breach o..more
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Cannot be taken from us; it is a gift.”
The Divine Comedy by Dante Aligheri was translated into French and Spanish and other European languages well before it was first translated into English. In fact the first English translation was only completed in 1802, almost 500 years after Dante wrote his Italian original. The lack of English translations before this is due in part to Dante's Catholic views being distasteful, or at least uninteresting, to Protestant English audiences, who viewed such a Catholic theology, mixed with references to classical mythos, as heretical.
Since 1802, however, the Divine Comedy has been translated into English more times than it has into any other language, and new English translations continue to be published regularly, so that today English is the language with the most translations by far. A complete listing and criticism of all English translations of at least one of the three books (cantiche; singular: cantica) up until 1966 was made by Cunningham.[1] The table below summarises Cunningham's data with (incomplete) additions between 1966 and the present. Many more translations of individual cantos from the three cantiche exist, but these are too numerous to allow the compilation of a comprehensive list.
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Dante's Inferno English Pdf Free
Publication date | Name | Nationality | Parts translated | Form | Notes |
---|---|---|---|---|---|
1782 | Charles Rogers | UK | Inferno[2] | blank verse | First translation of a full cantica into English |
1785-1802 | Henry Boyd | UK | Comedy | rhymed 6-line stanzas | First full translation of the Comedy in English. |
1805-1814 | Henry Francis Cary | UK | Comedy[3] | blank verse | Volume 20 in the Harvard Classics series. |
1807 | Nathaniel Howard | UK | Inferno | blank verse | |
1812 | Joseph Hume | UK | Inferno | blank verse | one of the two 'worst' translations according to Cunningham |
1833-1840 | Ichabod Charles Wright | UK | Comedy | rhymed 6-line stanzas | |
1843-1865 | John Dayman | UK | Comedy | terza rima | |
1843-1893 | Thomas William Parsons | United States | Comedy (incomplete) | quatrains and irregular rhyme | |
1849 | John Aitken Carlyle | UK | Inferno | prose | |
1850 | Patrick Bannerman | UK | Comedy | irregular rhyme | one of the two 'worst' translations according to Cunningham |
1851-1854 | Charles Bagot Cayley | UK | Comedy | terza rima | |
1852 | E. O'Donnell | UK | Comedy | prose | |
1854 | Thomas Brooksbank | UK | Inferno | terza rima | |
1854 | Sir William Frederick Pollock | UK | Comedy | blank terzine | |
1859 | Bruce Whyte | UK | Inferno | irregular rhyme | |
1859-1866 | John Wesley Thomas | UK | Comedy | terza rima | |
1862 | William Patrick Wilkie | UK | Inferno | blank terzine | |
1862-1863 | Claudia Hamilton Ramsay | UK | Comedy | terza rima | |
1865 | William Michael Rossetti | UK | Inferno | blank terzine | |
1865-1870 | James Ford | UK | Comedy | terza rima | |
1867 | Henry Wadsworth Longfellow | United States | Comedy | blank terzine | First complete American translation. Available online. |
1867-1868 | David Johnston | UK | Comedy[4] | blank terzine | |
1877 | Charles Tomlinson | UK | Inferno | terza rima | |
1880-1892 | Arthur John Butler | UK | Comedy | prose | |
1881 | Warburton Pike | UK | Inferno | terza rima | |
1883 | William Stratford Dugdale | UK | Purgatorio | prose | |
1884 | James Romanes Sibbald | UK | Inferno | terza rima | |
1885 | James Innes Minchin | UK | Comedy | terza rima | |
1886-1887 | Edward Hayes Plumptre | UK | Comedy | terza rima | |
1887 | Frederick Kneeller Haselfoot Haselfoot | UK | Comedy | terza rima | |
1888 | John Augustine Wilstach | United States | Comedy | rhymed stanzas | |
1889-1900 | William Warren Vernon | UK | Comedy | prose | |
1891-1892 | Charles Eliot Norton | United States | Comedy[5] | prose | Translation used by Great Books of the Western World. Available online at Project Gutenberg. |
1892-1915 | Charles Lancelot Shadwell | UK | Purgatorio and Paradiso | Marvellian stanzas | |
1893 | George Musgrave | UK | Inferno | Spenserian stanzas | |
1893 | Sir Edward Sullivan | UK | Inferno | prose | |
1895 | Robert Urquhart | UK | Inferno | terza rima | |
1898 | Eugene Jacob Lee-Hamilton | UK | Inferno | hendecasyllabic blank terzine | |
1899 | Philip Henry Wicksteed | UK | Paradiso | prose | |
1899 | Arthur Compton Auchmuty | UK | Purgatorio | octosyllabic terza rima | |
1899-1901 | Samuel Home | UK | Purgatorio (incomplete: I-XXXI only) | hendecasyllabic blank terzine | |
1901 | John Carpenter Garnier | UK | Inferno | prose | |
1901 | Thomas Oakey | UK | Purgatorio | prose | |
1902 | Edward Clarke Lowe | UK | Comedy | blank terzine | |
1903-1909 | Edward Wilberforce | UK | Comedy | terza rima | |
1903-1911 | Sir Samuel Walker Griffith | UK | Comedy | hendecasyllabic blank terzine | |
1904 | Caroline C. Potter | UK | Purgatorio and Paradiso | rhymed quatrains | |
1904 | Henry Fanshawe Tozer | UK | Comedy | prose | |
1904 | Marvin Richardson Vincent | United States | Inferno | blank verse | |
1905 | Charles Gordon Wright | UK | Purgatorio | prose | |
1908 | Frances Isabella Fraser | UK | Paradiso | blank terzine | |
1910 | Anges Louisa Money | UK | Purgatorio | blank terzine | |
1911 | Charles Edwin Wheeler | UK | Comedy | terza rima | |
1914 | Edith Mary Shaw | UK | Comedy | blank verse | |
1915 | Edward Joshua Edwardes | UK | Inferno | blank terzine | |
1915 | Henry Johnson | United States | Comedy | blank terzine | |
1918-1921 | Courtney Langdon | United States | Comedy | blank terzine | |
1920 | Eleanor Vinton Murray | United States | Inferno | terza rima | |
1921 | Melville Best Anderson | United States | Comedy | terza rima | |
1922 | Henry John Hooper | UK | Inferno | unrhymed amphiambics | |
1927 | David James MacKenzie | UK | Comedy | terza rima | |
1928-1931 | Albert R. Bandini | United States (born in Italy) | Comedy | terza rima | |
1928-1954 | Sydney Fowler Wright | UK | Inferno and Purgatorio | irregularly rhymed decasyllables | |
1931 | Jefferson Butler Fletcher | United States | Comedy | defective terza rima | |
1931 | Lacy Lockert | United States | Inferno | terza rima | |
1932-1935 | Geoffrey Langdale Bickersteth | UK | Comedy | terza rima | |
1933-1943 | Laurence Binyon | UK | Comedy | terza rima | |
1934-1940 | Louis How | United States | Comedy | terza rima | |
1938 | Ralph Thomas Bodey | UK | Comedy | blank verse | |
1939-1946 | John Dickson Sinclair | UK | Comedy | prose | |
1948 | Lawrence Grant White | United States | Comedy | blank verse | |
1948 | Patrick Cummins | United States | Comedy | hendecasyllabic terza rima | |
1948-1954 | Thomas Goddard Bergin | United States | Comedy | blank verse | |
1949-1953 | Harry Morgan Ayres | United States | Comedy | prose | |
1949-1962 | Dorothy Leigh Sayers | UK | Comedy | terza rima | Penguin Classics edition. After Sayers' death in 1957, Paradiso XXI-XXXIII completed by Barbara Reynolds. |
1952 | Thomas Weston Ramsey | UK | Paradiso | defective terza rima | |
1954 | Howard Russell Huse | United States | Comedy | prose | |
1954-1970 | John Ciardi | United States | Comedy | defective terza rima | Inferno recorded and released by Folkways Records in 1954. |
1956 | Glen Levin Swiggett | United States | Comedy | terza rima | |
1958 | Mary Prentice Lillie | United States | Comedy | hendecasyllabic blank terzine | |
1961 | Warwick Fielding Chipman | UK | Inferno | terza rima | |
1962 | Clara Stillman Reed | United States | Comedy | prose | |
1965 | William F. Ennis | UK | Comedy | dodecasyllabic terza rima | |
1965 | Aldo Maugeri | Italy | Inferno | blank terzine | |
1967-2002 | Mark Musa | United States | Comedy | blank verse | An alternative Penguin Classics version. |
1970-1991 | Charles S. Singleton | United States | Comedy | prose | Literal prose version with extensive commentary; 6 vols. |
1980-1984 | Allen Mandelbaum | United States | Comedy | blank verse | |
1981 | C. H. Sisson | UK | Comedy | ? | Oxford World's Classics |
1994 | Steve Ellis | UK | Inferno | ? | Chatto & Windus[6] |
1995 | Robert Pinsky | United States | Inferno | terza rima | |
1996 | Peter Dale | UK | Comedy | terza rima | |
1996-2007 | Robert M. Durling | United States | Comedy | prose | Oxford University Press |
2000 | W. S. Merwin | United States | Purgatorio | ? | |
2000-2007 | Robert and Jean Hollander | United States | Comedy | blank verse | Online as part of the Princeton Dante Project. |
2002 | Ciaran Carson | Ireland | Inferno | terza rima | Granta Books |
2002 | Michael Palma | ? | Inferno | terza rima | |
2002-2004 | Anthony M. Esolen | United States | Comedy | blank verse | Modern Library Classics. |
2006-2007 | Robin Kirkpatrick | ? | Comedy | ? | A third Penguin Classics version, replacing Musa's |
2009-2017 | Stanley Lombardo | United States | Comedy | blank terzine | Hackett Classics |
2010 | Burton Raffel | United States | Comedy | ? | Northwestern World Classics |
2012 | J. Gordon Nichols | UK | Comedy | ? | Alma Classics |
2013 | Mary Jo Bang | United States | Inferno | ? | Graywolf Press[7] |
2013 | Clive James | Australia/UK | Comedy | quatrains | Picador |
2017 | Peter Thornton | United States | Inferno | blank verse | Arcade Publishing |
References[edit]
Dantes Inferno Modern English Pdf
- ^Gilbert F. Cunningham, 'The Divine comedy in English: a critical biography 1782-1966'. 2 vols., Barnes & Noble, NY; esp. v.2 pp.5-9
- ^Charles Rogers (1782). The Inferno of Dante, Translated. London: J. Nichols.
- ^Henry Francis Cary. Dante's Inferno. New York: Cassell Publishing Company.
- ^David Johnston (1867). A Translation of Dante's Inferno. Bath.
- ^Charles Eliot Norton (1920). The Divine Comedy of Dante Alighieri. Houghton Mifflin.
- ^Josephine Balmer (1994-03-13). 'BOOK REVIEW / The lost in translation: 'Hell' - Dante Alighieri'. The Independent. Retrieved 2017-04-20.
- ^https://www.graywolfpress.org/books/inferno-0